Taking inspiration from the utilitarian and objective-driven ethos of neo-grotesque typography, Atypic is our ode to the no-frills, rational letterforms that have shaped graphic design since the mid-20th century. It’s not a revival; instead, it draws from the DNA of an entire genre to create a typeface that captures the essential paradox of modern design – the need for personality within the bounds of function.
Atypic’s work ethic comes from classic neo-grotesque characteristics typified by a large x-height, uniform stroke weight, closed apertures and a relatively plain appearance devoid of overtly decorative features. Its construction is robust with a structural feel that reads well in different applications. Beyond the visual properties, Atypic’s main functionality is an extensive character set that supports a wide range of Latin-based languages.
Uniqueness is found in the characters that shift away from normative expectations of a so-called neutral style. The ‘a’ and ‘e’ bear subtle humanist traits, the ‘f’, ‘j’, ‘t’, and ‘y’ introduce a mechanical precision, and the ‘O’, ‘C’, and ‘G’ are more akin to a geometric sans than a grotesque. Other characters are also designed to stand out more than usual. The distinct bisecting tail of the ‘Q’, and a straight-legged ‘R’ help define Atypic’s visual styling, with traditional alternatives of these letters available.
Typographic expression is controlled with eight OpenType style sets. These range from the round single storey ‘a’ to more assertive flat terminals that showcase an adaptability to achieve both minimalism and flair. The inclusion of an ‘et’ style ampersand, rounded dots, and various numeral styles expands its use further.
Atypic is cut in seven weights from ExtraLight to ExtraBold. The lighter weights feel quite airy and refined, and the heaviest styles are drawn to be more compact with purposely narrow openings making them ideal for large-scale use.