Atypic Mono ExtraLight
Size
ATYPIC MONO
Atypic Mono Medium
Size
610
Atypic Mono Light
Size
A monospaced companion to Counter's proportional Atypic family with its glyphs redrawn and optically balanced within a 610 unit frame. Designed in seven weights, Atypic Mono includes a range of alternate characters and OpenType features to add personality and achieve a balanced look for body text.
Atypic Mono Regular
Size
【QUICKER™】
Atypic Mono Regular
Size
I’d we’ve she’d he’s *** Contractions ***
Atypic Mono Text
Size
¶ The use of monotone sounds has a rich and varied history, deeply intertwined with both cultural practices and artistic expressions across the world. Monotone, by definition, refers to a continuous sound, especially of someone’s voice, that is unchanging in pitch and without intonation. This seemingly simple concept has profound implications and applications in various domains, from ancient rituals to modern art installations. Historically, monotone sounds have been prevalent in religious and spiritual practices. In many cultures, chants, mantras, and prayers are often recited in a monotone. This use of a single, unvarying pitch is not only a reflection of the simplicity and purity of devotion but also serves a practical purpose. The repetitive and unchanging nature of monotone chanting helps practitioners enter a meditative state, facilitating deeper concentration and spiritual connection. For example, Gregorian chants in Western Christianity and the intonation of the Quran in Islamic tradition both employ monotone delivery to invoke a sense of solemnity and reverence. Similarly, in Eastern traditions, Buddhist monks use monotone chanting as a form of meditation.
Atypic Mono Medium
Size
A monoton hangok használata gazdag és változatos múltra tekint vissza, mélyen öss zefonódva mind a kulturális gyakorlatokkal, mind a művészeti kifejezésekkel szerte a világon. A monotónia definíció szerint egy folyamatos hangra utal, különösen valakinek a hangjára, amely változatlan a hangmagasságban és hangsúlyozás nélkül. Ez a látszólag egyszerű fogalom mélyreható következményekkel és alkalmazásokkal bír különféle területeken, az ősi rituáléktól a modern művészeti installációkig. Történelmileg a monoton hangok elterjedtek a vallási és spirituális gyakorlatokban. Sok kultúrában a kántálásokat, mantrákat és imákat gyakran monoton módon recitálják. Ez az egyetlen, változatlan hangmagasság használata nemcsak az odaadás egyszerűségét és tisztaságát tükrözi, hanem gyakorlati célt is szolgál. A monoton kántálás ismétlődő és változatlan természete segíti a gyakorlókat abban, hogy meditációs állapotba kerüljenek, elősegítve a mélyebb koncentrációt és spirituális kapcsolatot. Például a nyugati kereszténységben a gregorián énekek és az iszlám hagyományban a Korán intonációja egyaránt monoton előadást alkalmaz, hogy ünnepélyességet és tiszteletet idézzen
Atypic Mono Medium
Size
№&not
Atypic Mono ExtraLight
Size
The minimalist movement in music, led by composers like La Monte Young, Terry Riley & Philip Glass has notably contributed to the appreciation & understanding of monotone & repetitive sounds.
Atypic Mono ExtraLight
Size
ABCDEFGHIJKLM NOPQRSTUVWXYZ
Atypic Mono ExtraBold
Size
-> The repetitive and unchanging nature of monotone chanting can help practitioners enter a more meditative state <-

Description

Atypic Mono is the monospace member of the Atypic family, designed to carry forward the character and personality of Atypic while embracing the technical constraints of a fixed-pitch typeface. Cut in seven weights from ExtraLight to ExtraBold, Atypic Mono gives versatility for design needs across print, digital, or spatial applications.

Atypic Mono boasts an extensive glyph set of over 850 characters and all the expected OpenType features, as well as some useful ligatures for contractions that reduce some of the more awkward mono spacing for better readability across larger amounts of text. Ten stylistic sets allow for a customised appearance and to subtly dial the technical aesthetic up or down. These range from a softer and more informal look with single-storey ‘a’, curved ‘f’ and ‘i’, and rounded dots, to a more pronounced digital aesthetic with flat-edged ‘a’, ‘y’, and ‘Y’.

With its clear, technical yet personal tone, Atypic Mono is designed for clarity, legibility, and function, making it a reliable choice for a range of projects.



PDF Specimen

Release
V1.008
Designer
Counter Foundry / James Smith
Languages Supported
Acheron, Achinese, Acholi, Achuar-Shiwiar, Afar, Afrikaans, Aguaruna, Alekano, Aleut, Amahuaca, Amarakaeri, Amis, Anaang, Andaandi, Dongolawi, Anuta, Aragonese, Arbëreshë, Albanian, Asháninka, Ashéninka, Perené, Balinese, Bari, Basque, Batak, Dairi, Batak, Karo, Batak, Mandailing, Batak, Simalungun, Batak, Toba, Bemba, (Zambia), Bena, (Tanzania), Bikol, Bislama, Borana-Arsi-Guji, Oromo, Bosnian, Breton, Buginese, Candoshi-Shapra, Caquinte, Caribbean, Hindustani, Cashibo-Cacataibo, Cashinahua, Catalan, Cebuano, Central, Aymara, Central, Kurdish, Chachi, Chamorro, Chavacano, Chiga, Chiltepec, Chinantec, Chokwe, Chuukese, Cimbrian, Cofán, Cook, Islands, Māori, Cornish, Corsican, Creek, Crimean, Tatar, Croatian, Czech, Danish, Dehu, Dutch, Eastern, Arrernte, Eastern, Oromo, English, Faroese, Fijian, Filipino, Finnish, French, Friulian, Gagauz, Galician, Ganda, Garifuna, German, Gheg, Albanian, Gilbertese, Gooniyandi, Gourmanchéma, Guadeloupean, Creole, French, Gusii, Haitian, Hani, Hiligaynon, Hopi, Huastec, Hungarian, Icelandic, Iloko, Inari, Sami, Indonesian, Irish, Istro, Romanian, Italian, Ixcatlán, Mazatec, Jamaican, Creole, English, Japanese, Javanese, Jola-Fonyi, K'iche', Kabuverdianu, Kaingang, Kala, Lagaw, Ya, Kalaallisut, Kalenjin, Kamba, (Kenya), Kaonde, Karelian, Kashubian, Kekchí, Kenzi, Mattokki, Khasi, Kikuyu, Kimbundu, Kinyarwanda, Kituba, (DRC), Kongo, Konzo, Kven, Finnish, Kölsch, Ladin, Ladino, Latgalian, Lithuanian, Lombard, Low, German, Lower, Sorbian, Luba-Lulua, Lule, Sami, Luo, (Kenya, and, Tanzania), Luxembourgish, Macedo-Romanian, Makonde, Malagasy, Malaysian, Maltese, Mandinka, Mandjak, Mankanya, Manx, Maore, Comorian, Maori, Mapudungun, Marshallese, Matsés, Mauritian, Creole, Meriam, Mir, Meru, Minangkabau, Mirandese, Mohawk, Montenegrin, Munsee, Murrinh-Patha, Mwani, Mískito, Naga, Pidgin, Ndonga, Neapolitan, Ngazidja, Comorian, Niuean, Nobiin, Nomatsiguenga, North, Ndebele, Northern, Kurdish, Northern, Qiandong, Miao, Northern, Sami, Northern, Uzbek, Norwegian, Nyanja, Nyankole, Occitan, Ojitlán, Chinantec, Orma, Oroqen, Palauan, Pampanga, Papantla, Totonac, Papiamento, Pedi, Picard, Pichis, Ashéninka, Piemontese, Pijin, Pintupi-Luritja, Pipil, Pohnpeian, Polish, Portuguese, Potawatomi, Purepecha, Páez, Quechua, Romanian, Romansh, Rotokas, Rundi, Samoan, Sango, Sangu, (Tanzania), Saramaccan, Sardinian, Scots, Scottish, Gaelic, Sena, Seri, Seselwa, Creole, French, Shawnee, Shipibo-Conibo, Shona, Shuar, Sicilian, Silesian, Slovak, Slovenian, Soga, Somali, Soninke, South, Ndebele, Southern, Aymara, Southern, Qiandong, Miao, Southern, Sami, Southern, Sotho, Spanish, Sranan, Tongo, Standard, Estonian, Standard, Latvian, Standard, Malay, Sundanese, Swahili, Swedish, Swiss, German, Tagalog, Tahitian, Tedim, Chin, Tetum, Tetun, Dili, Toba, Tok, Pisin, Tokelau, Tonga, (Tonga, Islands), Tonga, (Zambia), Tosk, Albanian, Tumbuka, Turkish, Turkmen, Tzeltal, Tzotzil, Uab, Meto, Umbundu, Ume, Sami, Upper, Guinea, Crioulo, Upper, Sorbian, Venetian, Veps, Võro, Walloon, Walser, Waray, (Philippines), Warlpiri, Wayuu, Welsh, West, Central, Oromo, Western, Abnaki, Western, Frisian, Wiradjuri, Wolof, Xhosa, Yanesha', Yao, Yucateco, Zapotec, Zulu, Záparo.
Styles
7
OpenType Features
Small Capitals From Capitals, Contextual Alternates, Case-Sensitive Forms, Denominators, Fractions, Numerators, Scientific Inferiors, Small Capitals, Single storey a, Curved f, Curved i, Flat a, Y, y, Alternate Q, R, Alternate ampersand, Rounded dots, Alternate 0, Circle numerals, Fill circle numerals, Subscript, Superscript, Tabular Figures
EULA
Typefaces may only be used as per the terms of the Counter Foundry End User License Agreement (EULA). Click here for details.
Copyright
©2024 Counter Foundry
Character Map
Character map
A
Baseline0
Descender-210
Ascender910
Cap height700
x-Height500
Font styleGlyph nameAUnicode nameLoading...Unicode decimal65Unicode hex0041
Basic Latin
!
"
#
$
%
&
'
(
)
*
+
,
-
.
/
0
1
2
3
4
5
6
7
8
9
:
;
<
=
>
?
@
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
[
\
]
^
_
`
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
{
|
}
~
Latin-1 Supplement
 
¡
¢
£
¤
¥
¦
§
¨
©
ª
«
¬
­
®
¯
°
±
²
³
´
µ
·
¸
¹
º
»
¼
½
¾
¿
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ð
Ñ
Ò
Ó
Ô
Õ
Ö
×
Ø
Ù
Ú
Û
Ü
Ý
Þ
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ð
ñ
ò
ó
ô
õ
ö
÷
ø
ù
ú
û
ü
ý
þ
ÿ
Latin Extended-A
Ā
ā
Ă
ă
Ą
ą
Ć
ć
Ĉ
ĉ
Ċ
ċ
Č
č
Ď
ď
Đ
đ
Ē
ē
Ĕ
ĕ
Ė
ė
Ę
ę
Ě
ě
Ĝ
ĝ
Ğ
ğ
Ġ
ġ
Ģ
ģ
Ĥ
ĥ
Ħ
ħ
Ĩ
ĩ
Ī
ī
Ĭ
ĭ
Į
į
İ
ı
IJ
ij
Ĵ
ĵ
Ķ
ķ
ĸ
Ĺ
ĺ
Ļ
ļ
Ľ
ľ
Ŀ
ŀ
Ł
ł
Ń
ń
Ņ
ņ
Ň
ň
ʼn
Ŋ
ŋ
Ō
ō
Ŏ
ŏ
Ő
ő
Œ
œ
Ŕ
ŕ
Ŗ
ŗ
Ř
ř
Ś
ś
Ŝ
ŝ
Ş
ş
Š
š
Ţ
ţ
Ť
ť
Ŧ
ŧ
Ũ
ũ
Ū
ū
Ŭ
ŭ
Ů
ů
Ű
ű
Ų
ų
Ŵ
ŵ
Ŷ
ŷ
Ÿ
Ź
ź
Ż
ż
Ž
ž
ſ
Latin Extended-B
Ə
ƒ
Ǽ
ǽ
Ș
ș
Ț
ț
ȷ
IPA Extensions
ə
Spacing Modifier Letters
ˆ
ˇ
˘
˙
˚
˛
˜
˝
Combining Diacritical Marks
̀
́
̂
̃
̄
̆
̇
̈
̊
̋
̌
̒
̦
̧
̨
Greek and Coptic
Ω
π
Latin Extended Additional
General Punctuation
Superscripts and Subscripts
Currency Symbols
Letterlike Symbols
Number Forms
Arrows
Mathematical Operators
Geometric Shapes
Miscellaneous Symbols and Arrows
CJK Symbols and Punctuation
OpenType features
OFFON
A
A
Baseline0
Descender-210
Ascender910
Cap height700
x-Height500
Font styleGlyph namea.scUnicode decimal65Unicode hex0041OpenType featurec2sc
Small Capitals From Capitals
A
Á
Ă
Â
Ä
À
Ā
Ą
Å
Ã
Æ
Ǽ
B
C
Ć
Č
Ç
Ĉ
Ċ
D
Ď
Đ
Ð
E
É
Ĕ
Ě
Ê
Ë
Ė
È
Ē
Ę
F
G
Ğ
Ĝ
Ģ
Ġ
H
Ħ
Ĥ
I
IJ
Í
Ĭ
Î
Ï
İ
Ì
Ī
Į
Ĩ
J
Ĵ
K
Ķ
L
Ĺ
Ľ
Ļ
Ŀ
Ł
M
N
Ń
Ň
Ņ
Ñ
Ŋ
O
Ó
Ŏ
Ô
Ö
Ò
Ő
Ō
Ø
Õ
Œ
P
Þ
Q
R
Ŕ
Ř
Ŗ
S
Ś
Š
Ş
Ŝ
Ș
T
Ŧ
Ť
Ţ
Ț
U
Ú
Ŭ
Û
Ü
Ù
Ű
Ū
Ų
Ů
Ũ
V
W
Ŵ
X
Y
Ý
Ŷ
Ÿ
Z
Ź
Ž
Ż
Contextual Alternates
***
->
<->
<-
...
’D
’L
’M
’R
’S
’T
’V
’d
’l
’m
’r
’s
’t
’v
'D
'L
'M
'R
'S
'T
'V
'd
'l
'm
'r
's
't
'v
Case-Sensitive Forms
·
/
\
-
(
)
{
}
[
]
«
»
Denominators
0
1
2
3
4
5
6
7
8
9
Fractions
/
0
1
2
3
4
5
6
7
8
9
Numerators
0
1
2
3
4
5
6
7
8
9
Scientific Inferiors
0
1
2
3
4
5
6
7
8
9
Small Capitals
a
á
ă
â
ä
à
ā
ą
å
ã
æ
ǽ
b
c
ć
č
ç
ĉ
ċ
d
ď
đ
ð
e
é
ĕ
ě
ê
ë
ė
è
ē
ę
f
g
ğ
ĝ
ģ
ġ
h
ħ
ĥ
i
ı
í
ĭ
î
ï
ì
ī
į
ĩ
ij
j
ȷ
ĵ
k
ķ
l
ĺ
ľ
ļ
ŀ
ł
m
n
ń
ň
ņ
ñ
ŋ
o
ó
ŏ
ô
ö
ò
ő
ō
ø
õ
œ
p
þ
q
r
ŕ
ř
ŗ
s
ś
š
ş
ŝ
ș
ß
ſ
t
ŧ
ť
ţ
ț
u
ú
ŭ
û
ü
ù
ű
ū
ų
ů
ũ
v
w
ŵ
x
y
ý
ŷ
ÿ
z
ź
ž
ż
Single storey a
a
á
ă
â
ä
à
ā
ą
å
ã
Curved f
f
Curved i
i
ı
í
ĭ
î
ï
ì
ī
į
ĩ
Flat a, Y, y
Y
Ý
Ŷ
Ÿ
a
á
ă
â
ä
à
ā
ą
å
ã
y
ý
ŷ
ÿ
Alternate Q, R
Q
R
Ŕ
Ř
Ŗ
Alternate ampersand
&
Rounded dots
Ä
Ċ
Ë
Ė
Ģ
Ġ
Ï
İ
Ķ
Ļ
Ŀ
Ņ
Ö
Ŗ
Ș
Ț
Ü
Ÿ
Ż
ä
ċ
ë
ė
ģ
ġ
i
ï
į
ij
j
ķ
ļ
ŀ
ņ
ö
ŗ
ș
ț
ü
ÿ
ż
.
,
:
;
!
¡
?
¿
·
̈
̇
̒
̦
Alternate 0
0
%
Circle numerals
0
1
2
3
4
5
6
7
8
9
Fill circle numerals
0
1
2
3
4
5
6
7
8
9
Subscript
0
1
2
3
4
5
6
7
8
9
Superscript
0
1
2
3
4
5
6
7
8
9
Tabular Figures
0
1
2
3
4
5
6
7
8
9